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David : Hi Joan, what an honour to speak to you ! How are you doing ?
Joan
: Great, actually I'm standing at the venue I am
playing tonight and it’s one of those places with
the stage covered, you know like Wolf trap ?
David : Wolf trap in Virginia ?
Joan
: Yeah and I’m setting up beside these benches and
you look over and it’s like this farmland, well not
quite farmland but the colours are just amazing !
David : Where exactly are you right now?
Joan
: I am in Jacksonville, Oregon
David : Your new album "Into The Blues" is your first all blues
recording in a career that spans more than 35 years.
Why was now the right time to do this project ?
Joan
: I have no idea (laughing), I thought about it for a
long while... it’s like this song on the new CD
called “Something’s Gotta Blow”, I was stuck on
the Tube on the northern line and it was late and it
was incredibly crowded and the frustrations were there
and I’ve been in that situation many, many times and
it’s like “why did I only decide to write that
song now”? What is it that tells you, “ok, now is
the time to write that song”?
David : People really seem to have taken to the new album, it's hit
number 1 on the Billboard Blues Chart, and I might say
is doing remarkably well at Megatunes ! Has the
success of the new album taken you by surprise ?
Joan
: You know (laughing) it’s so funny, this is the
first time I can say this and know the exact date. On
February 13th the recording started and it
was released May 1st in America. Now, I
played shows in-between those dates I would say to the
audience “This album will hit number one”. On the
9th of May I was actually able to go out
and tell the audience that it WAS number one ! One of
the band members told me “Joan, all that stuff
you’ve been telling the audience and now it’s all
come true”.
You
know as usual I wrote everything myself and recorded
everything myself. I was just kind of in this state as
it were, and I had this feeling it was going to be a
successful album, I didn’t expect it to come in at
number 1, I thought it would hit number 1 but enter
the charts and slowly make it to number 1. That’s
been just fantastic I think and like you said, people
seem to really have taken to it.
David : It’s almost struck a chord with people, old and new fans alike.
Joan
: They really have and I notice it on tour, I mean
every tour I play new stuff and there are lots of
people who have not heard the new CD and the reaction
is so positive and they yell things out like “Joan,
that’s so cool”! It’s just fantastic and on the
notes on the CD I wrote “I hope everyone enjoys this
CD as much I enjoyed making it” and so far many,
many people have liked it. I mean you’re not going
to please everyone. There’s going to be people who
say “Ah Joan, you can’t do the blues” but if you
take the majority of people, they seem to like it.
David : It must be very gratifying for you isn’t it ?
Joan
: Oh yes, I was on this plane the other day with this
chap and we were talking like “What do you do”
kind of stuff and I told him about the CD and he says
“Oh... an English person at number 1 on the blues
charts... don’t know what I think of that”
David : You are an incredibly eclectic artist, you have recorded albums
over the years with jazz, folk or rock overtones to
name a few, sometimes all within the same album, were
you nervous at all about being able to pull off a
convincing Blues album to your satisfaction?
Joan
: I don’t know if nervous is the right word. I know
when people hear the title of the album that they
might think it’s a covers album, and that’s not
what I wanted to do and I knew I would have to write
it in my way so I just got on with it and hoped people
would take to that. I don’t know really how to do it
another way. I was more excited than nervous really. I
went into it really focused, every song came out of
the blues, and it came as you hear it. Normally when I
write, I jump around a bit, a pop song then it’s a
jazz song, I like to move about normally. With the
blues you can totally do that too, there is so much
room within the Blues. You can have the swamp Blues or
the gospel type Blues or the rock Blues... you can
have all these different elements to this music,
great!
It
allows you to be eclectic within one genre of music.
David : After such an illustrious career, is taking on new musical styles
and themes a way of challenging yourself, to push
yourself out of your comfort zone?
Joan
: Yes, I am
such an eclectic person, that allows me to not be the
same all the time, which is what I like and to do
this, I had to transport myself to one genre but once
I started and I had the inspiration, it was a real
nice challenge
David : Even though this is your first foray into making a full on Blues
album, there is still a slightly different track on
the album called "Baby Blue Eyes", which
features a driving mandolin sound through out the song
and has a definite country feel to it... can you tell
us about this track?
Joan
: That track has some misunderstanding as to who’s
playing the mandolin, it’s actually me. I play
everything apart from the drums. When it came time to
recording the mandolin, I had to go into another room
and because I don’t have remote access to the
computer in that room, I had to get the engineer to
record it. I think that’s why people may think he
played the mandolin. That song is about going
somewhere and describing the place I was at. I’m
being secretive can’t you tell (laughing) but it’s
basically describing the place I was at.
David : You played all the instruments on this album yourself with the
exception of drums and percussion, once again was this
a case of wanting to push yourself musically or was
there another reason why you did it all yourself ?
Joan
: I normally always do that so I am used to it and the
last CD “Lovers Speak” was the same way but I do
dabble in drums so one day I will get to record my own
drums too ! The drummer I have is just so good, he
also played on “Lovers Speak” and I always tell
them anyways how I want the drums to sound and all
that anyways, but it works out quite nicely.
David : Blues has a reputation of being associated with themes of pain,
angst and suffering yet on this new album after
listening to it several times, I detect that lyrically
you may not agree with this assessment, that the Blues
can have a very uplifting, optimistic quality to it as
well... would you agree with this ?
Joan
: Absolutely ! I think the Blues is not about misery,
it’s about telling a story. Of course you can have
“Oh my baby left me” but it doesn’t have to be
like that. As long as it’s telling a story, painting
a picture and taking someone on a journey. A lot of
pop and rock songs stick words in there that fit a
rhythm, the Blues seems to take you to a different
place and that’s the huge difference.
David : "Deep Down" is a fun song, lyrically speaking. Is this
a case of less is more, that adding more to it would
take away from the message ?
Joan
: It absolutely would... exactly !
I'll tell you how that came about. In actual
fact, it’s about the same guy that the song
“Liza” is about.
The guy could see all the good in his woman and
in this conversation he had with me he said “deep
down, I really love her” and I thought it was very
profound and what a great statement, nothing else
needs to be said. Then I thought “what a strange
thing that is to say”, like I almost have to search
myself to find out...
David : Like a huge question mark...
Joan
: Yeah, that’s right. So it didn’t seem like it
needed anything else so I didn’t give it anything
else. “Deep Down” just says it all.
David : Well it’s a fun song for sure
Joan
: Yeah, it’s one of my favourites and actually when
we were mastering it, the mastering engineer said to
me “Oh Joan, you've got to take that song off the
album” and I just said “No” (laughing)
David : I know it's still early days yet but seeing that the new album
has done, and continues to do so well, should we
expect another Blues influenced album next or will it
be another curve ball you throw at us ?
Joan
: I haven’t got a clue, I just have no clue. On this
album, I was sitting in this beautiful hotel in
Cardiff, in the middle of nowhere and it just came to
me that this was the time and there is a song called
“Play The Blues” that kind of came to me - the
idea, and I didn’t write the song then. That came
later but the feeling was just so strong. I just have
to wait until it comes to me. I'm just as interested
as you how it will turn out !
David : You have always maintained popularity at home in England and a
loyal fan base in North America and all over the
world, this is over the span of some 35 years and 18
albums. Looking back is there a secret to your
success ? Would you say your versatility plays a part
in that success ?
Joan
: Yeah I think it’s a bit of everything. I’m a bit
quiet in my private life. I keep that private and just
let the music speak for itself, and I think that’s
helped a lot. I also think that people being
interested in my music, and keep being interested in
my music has helped and keep on introducing new people
to my music. When you have a loyal fan base,
some of those people have other interests and
sometimes they fall away and if you don’t have new
people coming to you then you can’t have a long
career.
David : Totally off topic but many moons ago you did guest vocals on a
Queen song called "Don't Lose Your Head". I
was interested to know about your experiences with the
guys in Queen.
Joan
: What happened, was I was making an album... I think
it was “The Key” and Queen was in the next studio
and Roger Taylor came in and asked if I would fancy
coming in and doing something and I hesitated and
finally said “yeah... alright” and really that was
it. It really was just because they were in the next
studio.
David : Joan thank you very much for talking to me, congratulations on
the new album and we will be seeing you up here very
soon for dates in Calgary and Edmonton.
Joan
: Yes absolutely, I look forward to seeing you all up
there. Thank you David !
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