Mark Olson

interview by: David Gawdunyk

August 27, 2007

 

 

Mark Olson 2007


 

David : Writing such a personal album, is it cathartic in a way to get these feelings out via songs... a way to help heal and put things behind you? 

Mark : It's more cathartic to write a good song, the verse and chorus, words and all that, then managing that and getting on the road, to get life rolling again.  I was thinking of that on tour… lyrically I’ve tried to stray away from the personal, not too much, not to go on about it but rather write about characters and develop a story around that. 

David : Is there an actual Clifton Bridge?

Mark : Yes there is in Bristol, England.  It’s a very old bridge.  I just happened to see it out the corner of my eye and I asked my friend I was with about it and she said “Oh, that’s Clifton Bridge".  So we walked over it and it’s really just a suspension bridge and it’s just gorgeous.  There’s this sign on it that said,  "Call the Salvation Army if you’re thinking of jumping” or words to that affect (laughing) and that stuck with me.

David : You have stayed active recording albums with the Creekdippers after you left the Jayhawks, but now you have released your first true solo album.  Was there a previous reluctance to record under your own name in years gone by ?

Mark : Gees, yeah I guess so. I’ve always just worked with someone else or a group and with Victoria (ex-wife Victoria Williams).  What happened was I found I was by myself and I really couldn’t tour until I had an album out.

We put out those Creekdippers albums in Germany, even though all the energy was mine behind that; this is the first album under my own name.

David : Having recorded your first solo album, what pros and cons is there to recording with a band versus doing it solo ?

Mark : Well with the band you have other strong musical partners that can add stuff that you never could and the cons would be... well you end up like me and no possibility of touring and making a living because other band members have their own lives.  I think I know the pros and cons... thank you, I think I can answer that one (laughing).

David : Is it difficult to open yourself up, to write such personal songs and then have to talk about them and explain them later on via interviews ? I would imagine people bringing up your divorce and some of the tough times you've experienced being awkward in a way?

Mark : Yeah, people do bring it up and it’s uncomfortable.  In fact I told the manager that maybe it was best we never had that in the bio but thought it was best the situation told the way it was.  I think the record is good enough for people to notice that on their own.

David : Over the past year or two, you've seemed to have re-kindled your musical relationship with fellow ex-Jayhawk Gary Louris.  You've done some touring with him and writing as well on the new album.  What is it about Gary that attracts you to working with him?  Is it a case of musically, you two just click?

Mark : Yeah, we started out so long ago, so we just kind of fall into place it’s so natural.

David : I've read that you and Gary will be releasing an album together coming up, tell us about that?

Mark : Yeah, we’ve worked on it this past winter; hopefully it will come out this spring or fall.

David : Ok, let me stop you there, I have to ask this... was there ever at any time a thought of just calling it The Jayhawks ?

Mark : Well I would like to do that, that’s more of a business thing.  I’m not sure how that works and how it stands right now but yeah I would like to.

David : This album seems to have been written all over the place, was there one place in-particular that you found most inspirational ?

Mark : There were 2 main places I wrote.  I went there because there were people there that I had met on tour, so it was more about the people.  Those people were like musical people, like engineers and like that.  So that’s why I went there and those places were Cardiff, Wales and Oslo, Norway.  I’ve had really good shows there and got to know some people there.  I kinda went there for the people.  A place can be beautiful but if you don’t know anyone, it’s kinda strange you know ?  You can go look at buildings and such but then say “Wow, I wish I had someone to share this with”.

I was inspired by Cardiff and the language.  I have relatives in Minnesota who are from Ireland and Norway who kind of still speak with this accent, like my grandparents generation.  So when I got to Wales I was like “Wow, I recognize this language” the way they put together their verbs and nouns and tell stories and all things like that.  So I think if anything, I think that was the most interesting, that I was influenced by the language and that kinda stuff around me.

David : I've read that the other option in your life to releasing this album was to go back to school?

Mark : Actually I did enrol but then I had this opportunity to go to Wales to be with these people who were like engineers so I went ahead and did that.  I thought I would give it one more shot.  Thankfully it worked out.

David : Having had this album receive such glowing reviews and response from the public, do you foresee that being an option or do you think you will grace us with more albums in the future ?

Mark : I’m going to stick with music for sure.  I’m booked until Christmas and it worked, it worked !  I love to play music.  It wasn’t for lack of loving music.  At the time I just didn’t know what I was going to do.  I couldn’t tour as I had no album to tour.

David : Although this is a very stripped down album musically speaking and there are some pretty heavy themes being explored, there are certainly strong elements of optimism and positivity.  After all is said and done, is that what you would like the listener to walk away with having heard the album... that there is hope after tragedy?

Mark : Yeah, yeah…that’s exactly it.  If something is just down, down, down... it gets to be too much you know ?  You need to put things up against each other.

David : Tell me about the packaging of this CD.  In a world of instant downloads and ipods, you've given your fans new and old something special with this entire package.  In a way it almost demands you to buy it rather than download it because the packaging is so cool.

Mark : That was partly because I've kinda been working on words and I thought well, might as well make it look like a book and draw attention to it that way.  That was the idea of that.  Then we just had fun with it after that.  There was always a lot of books growing up and it’s just a nice thing to hold and I miss albums.  They were better than CD’s, let’s just say that.  So that’s kind of a tip of the hat to that.  That feeling... to get something with thought and feeling in the artwork.  The other thing was my manager.  He did this nice thing, I did the Creekdippers artwork myself and he thought it was pretty bad, so this is what we did.

David : Speaking of which, now that you’re starting up again as a solo artist, what is your take on this instant now ipod world ?

Mark : I don’t know what to say, I wish they would just declare that records are better and start making them again.  That’s my only take on it really.  I've never downloaded a song myself.  I don’t understand that.  So I’ve never done it.  I don’t really have negative feelings about it really.  I just want to go out and mill through a record store or tape something from someone else’s record collection.  I think I’ve gotten some of my favourite music that way.  As far as just tapping stuff and going to someone’s house, that’s something fun to do but just sitting on your computer and just grabbing a song at a time, I just don’t get that.  I think I am from a different generation.  I’m happy for them if that’s what they want to do.  It defiantly has cost us a little bit of our art form, if it is such an art form.

David : Financially speaking, does it not bother you or affect you?

Mark : Well I’m sure it does.  I’m trying to live within what is going on now and for me, I have to tour to make money and I am fine with that.  Although there is a lot less money floating around these days to record with, I guess they just don’t sell anymore.  There’s not a lot of fat left anymore in the industry.  I watched my European recording budget go from ten thousand to eight thousand to four thousand to two thousand on four records during that time.

David : Seeing as you’re a fan of vinyl, any plans to release your new CD on vinyl ?

Mark : I would love that.  There is no plan right now that I know of.  Just now they are printing the second pressing of the CD and now they are going to say “Now on paperback” !

David : Thanks Mark, it’s been a pleasure talking to you.

Mark : Absolutely, see you when we get to Canada !


see the video for "National Express" here

 

CD $19.99

 

Track Listing & Audio Samples:

 

 

 

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